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stroszek La Spezia, Italy
formed in 2007 by claudio alcara, the guitarist and founder of frostmoon eclipse, stroszek marks a complete change in direction. with stroszek, c. is able to use his considerable skills as a guitarist and song writer to produce music that is richly melodic, hauntingly melancholic, and at times, a crushingly sad commentary on his innermost thoughts and life experiences. ... more
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The Great Filter (E.P.)
by Mesarthim
supported by 4 fans who also own “nighthawks and underdogs”
Mesarthim ne communique pas de manière directe. The Great Filter est une des très rares exceptions puisque le duo australien utilise le morse au début et à la fin du morceau et ce n'est sûrement pas à nous que ce code est destiné. The Great Filter, c'est une bouteille à la mer — ou à la Voie Lactée — qui permet à Mesarthim de montrer à d'éventuelles formes de vie ce que l'humanité sait faire de mieux : c'est une œuvre épique, plus rapide et agressive, avec un sens du spectacle et du sublime !
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Dommedagsnatt
by Thorr's Hammer
supported by 4 fans who also own “nighthawks and underdogs”
William Murderface once said that "Women are physically incapable of achieving brutality". He was wrong. So very, very wrong.
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.- -... ... . -. -.-. .
by Mesarthim
supported by 4 fans who also own “nighthawks and underdogs”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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Sorry I'm So Sensitive
by Bea Stewart
The second EP from Northern Irish singer-songwriter Bea Stewart runs from gentle folk to pillowy pop ballads, all perfectly executed.
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The Room
by Fabiano do Nascimento & Sam Gendel
featured on Bandcamp Radio Jan 9, 2024
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Stirring Americana set to acoustic arrangements and topped by the legendary Alice Gerrard’s lovely, world-wise voice.
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supported by 4 fans who also own “nighthawks and underdogs”
A quelques jours d'intervalle par rapport à The Great Filter sort TYPE III, un deuxième E.P. qui est calqué sur exactement le même moule : il s'agit d'une piste unique qui atteint presque la vingtaine de minutes et dans lequel le black metal atmosphérique de Mesarthim prend une dimension théâtrale et épique. Malgré tout, il ne s'agit pas d'un simple clone : TYPE III est plus lent et oxygéné et laisse la parole aux synthés, avec violons et pianos mis en avant. Un très bel alter ego magique !
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